crowesmuse:

Cosima: Sarah don’t do the thing
Sarah: *does the thing and shrugs*
Sarah: Cosima don’t do the thing
Cosima: *does the thing and apologizes*
Sarah and Cosima: Alison this is a bad idea…
Alison: *has already done the thing, shrugs*
Sarah, Cosima and Alison: Helena don’t -
Helena: *an explosion is heard in the distance* Seestras…


Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”
Zoom Info

Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”
Zoom Info

Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”
Zoom Info

Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”
Zoom Info

Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”
Zoom Info

Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”
Zoom Info

Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”
Zoom Info

Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”
Zoom Info

Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.”